Hello,
I am a visual artist, educator, and researcher interested in the intersections of theory and praxis.
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My interdisciplinary practice integrates traditional printmaking, fiber-art, installation, and sculpture.
While I am a printmaker at heart, I am not interested in always following the established rules of traditional printmaking. Instead, I wonder, how can traditional printmaking techniques be in conversation with other forms of making and with contemporary art discourses? How can I use the visual language, labor, and rich-history of traditional printmaking to create a dialog between and beyond neat categorizations of various aesthetic approaches?
Recent Work
(click on images for more)
